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	<title>alcazar &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://wordpress.com/tag/alcazar/</link>
	<description>Feed of posts on WordPress.com tagged "alcazar"</description>
	<pubDate>Sat, 30 Aug 2008 13:52:29 +0000</pubDate>

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<item>
<title><![CDATA[Tonight!]]></title>
<link>http://karavanen.wordpress.com/?p=27</link>
<pubDate>Fri, 29 Aug 2008 17:56:38 +0000</pubDate>
<dc:creator>johaan</dc:creator>
<guid>http://karavanen.wordpress.com/?p=27</guid>
<description><![CDATA[Ikväll är det alltså dags för spelningen på Alcazar, Nalen. Det är Upsweden som står för arr]]></description>
<content:encoded><![CDATA[<p>Ikväll är det alltså dags för spelningen på Alcazar, Nalen. Det är Upsweden som står för arrangemanget och det är gratis inträde! Det är fyra band som kommer att spela där det första bandet börjar 20.15. Vi spelar sist och går på någon gång kring 22.00.  Så se till att styra skutan mot Nalen ikväll!</p>
<p>Syns där!</p>
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<title><![CDATA["Andalusien mit Charme", eine Mietwagenrundreise der TUI AG]]></title>
<link>http://autoverleih.wordpress.com/?p=7</link>
<pubDate>Wed, 27 Aug 2008 17:10:32 +0000</pubDate>
<dc:creator>far2eezi</dc:creator>
<guid>http://autoverleih.wordpress.com/?p=7</guid>
<description><![CDATA[Andalusien zeigt sich ab sofort von seiner charmanten Seite: Mit TUI, Deutschlands führendem Reisev]]></description>
<content:encoded><![CDATA[<p>Andalusien zeigt sich ab sofort von seiner charmanten Seite: Mit TUI, Deutschlands führendem Reiseveranstalter, erleben Urlauber auf einer neuen einwöchigen Rundreise ein Andalusien abseits der touristischen Pfade. Per Mietwagen geht es durch das Hinterland der Region, vorbei an typischen weißen Dörfern und Naturlandschaften zu ausgewählten kulturellen Höhepunkten.</p>
<p>Die Rundreise beginnt bei der <a href="http://www.hispacar.com/mietwagen-malaga.htm">Autovermietung in Málaga</a> und führt am ersten Tag in das Weindorf Cómpeta, wo sich die Urlauber bei regionalen Spezialitäten auf die andalusische Lebensart einstimmen können. In den nächsten beiden Tagen geht es per Mietwagen in die entlegene Bergwelt am Fuße der Sierra Nevada. Die Tälern der Alpujarras bestechen durch ursprüngliche Landschaften kombiniert mit jahrhundertealtem maurischen Erbe. Kulturinteressierte kommen am nächsten Tag auf Ihre Kosten: Mit der maurischen Festung Alhambra und dem historischen Albaicín-Viertel erwartet Granada ihre Besucher mit gleich zwei Weltkulturerben der UNESCO. Vorbei an Olivenhainen und den blauen Bergen des Naturparks Sierra Mágina, führt die Reise am fünften Tag in die Renaissance-Städte Baeza und Ubeda. Weiter geht es nach Cordoba, wo der Besuch der gewaltigen Kathedrale Mezquita, als drittgrößte ehemalige Moschee der Welt, ein "Muss" ist. Und ob beim Besuch der Stierkampfarena oder des maurischen Palastes Alcázar - in Sevilla erleben die Besucher am nächsten Tag Spaniens "feurigen Süden" hautnah. Das traditionelle Leben lernen die Urlauber im Hinterland von Ronda mit seinen weissen Dörfern kennen. Entlang der Costa del Sol klingt die einwöchige Mietwagen Rundreise schließlich mit der Fahrt von Ronda nach Málaga aus.</p>
<p>Brunnen: TUI AG</p>
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<title><![CDATA[The Rapture and The Return Of Jesus]]></title>
<link>http://alumbrados.wordpress.com/?p=112</link>
<pubDate>Tue, 19 Aug 2008 22:18:52 +0000</pubDate>
<dc:creator>Alumbrados</dc:creator>
<guid>http://alumbrados.wordpress.com/?p=112</guid>
<description><![CDATA[Many people teach that the RAPTURE is coming, so that we will not have to worry about this beast of ]]></description>
<content:encoded><![CDATA[<p style="text-align:justify;margin:6pt 0;"><span style="font-size:9.5pt;font-family:Arial;">Many people teach that the RAPTURE is coming, so that we will not have to worry about this beast of </span><span style="font-size:9.5pt;font-family:Arial;">Rome</span><span style="font-size:9.5pt;font-family:Arial;">, he is only coming in the future (this is called FUTURIST belief). Rapture means people will fly up into the air and into heaven when Jesus returns, and will escape death this way. However, this idea of a coming rapture was invented in the 1500s as we will show here. </span></p>
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<p align="justify">Ignatius de Loyola commissioned two of his best Jesuits to destroy Protestantism through a study of all the prophecy of the coming of Jesus Christ. Their names were RIBERA and ALCAZAR. They pushed conflicting theories on prophecy, thus creating division and confusion among Protestants.</p>
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<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">Secular historians record the tactics of Counter-Reformation Rome. The <em>Encyclopedia Britannica</em> states, "Under the stress of the Protestant attack there arose new methods on the papal side." In those pages, Ribera (a Jesuit scholar) is identified as the founder of the <span style="text-transform:uppercase;">futurist</span> school of interpretation [Encyclopedia Britannica, vol. 23, p. 213. 11th edition]. Rev. E. B. Elliot gives a synopsis of the prophetic positions published by Jesuit scholars as follows:</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">So at length, as the [16th] century was advancing to a close, two Jesuits published their respective, but quite counter opinions on the Apocalyptic subject: the first, <strong>Francisco Ribera</strong> (1537-1591), a Jesuit Priest of Salamanca published an Apocalyptic Commentary [<em>Apocalypsin</em>], about 1585 A.D. on the grand points of Babylon and Antichrist, what we now call the <span style="text-transform:uppercase;">futurist</span> scheme. The second man, <strong>Louis de Alcazar</strong>, also a Spanish Jesuit, but of </span><span style="font-size:9pt;font-family:Arial;">Seville</span><span style="font-size:9pt;font-family:Arial;">, published <em>Vestigatio Arcani Sensus in Apocalypsi</em>, published in </span><span style="font-size:9pt;font-family:Arial;">Antwerp</span><span style="font-size:9pt;font-family:Arial;"> in 1614 on main points what we now designate as the <span style="text-transform:uppercase;">praeterist</span> scheme. </span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">These two eschatologies were invented solely for the purpose of protecting the papacy. Ribera and Alcazar both spun their primary apparatus from the 70th week of Daniel by putting the antichrist either in the remote past or the remote future, taking him out of the present where the reformationists could attack the papal system.</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;text-transform:uppercase;font-family:Arial;">Ribera</span><span style="font-size:9pt;font-family:Arial;"> said that God had first given us 69 weeks and that at the baptism of Jesus in 27 A.D. the 69 weeks concluded. He said that God extended the 70th week into the future to take place at the end of the age. The antichrist is to be a single individual (not the papal system) who would not rule until the very end of time. Today there are three versions of this futurist eschatology held by Pentecostals, (1) the pre, (2) the mid, and (3) the post tribulation rapture doctrines. Then there are numerous versions of each one of those three basic schools of thought.</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;text-transform:uppercase;font-family:Arial;">Alcazar</span><span style="font-size:9pt;font-family:Arial;"> said that the prophecies of the <em>Apocalypse </em>(Revelation) were fulfilled in 70 A.D. when the temple was destroyed and the Jews were slaughtered or deported. By this teaching, Matthew 24 and all (but the first chapter) of Revelation, and the 70th week of Daniel were fulfilled in 70 A.D. Alcazar insists that the enemies of the church (the Sanhedrin) were destroyed; that Jesus returned to reside in the person of the reigning pope (the Vicar of Christ); and that the millennium (the amillennium) started at that time and continues today. <strong>This is still the basic stance of Catholicism</strong>. Once again, no reformer, no Protestant accepted a word of either Ribera"s or Alcazar"s teachings. [Robert Caringola, Seventy Weeks, pp. 19,31-38]<strong></strong></span></p>
<p class="MsoNormal" style="text-align:center;margin:5pt 0;" align="center"><strong><span style="font-size:9pt;font-family:Arial;">GLOBAL ACCEPTANCE AFTER 1826 </span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">Dr. S. R. Maintland (1752-1866), the librarian to the Archbishop of Canterbury, discovered Ribera"s book in his library and translated and <strong><span style="text-decoration:underline;">published it in 1826</span> </strong>just for the sake of interest. Until this time there was not a single Protestant in the world who believed the futuristic teachings (now held by Pentecostals). Dr. Maintland also wrote a prophetic pamphlet showing his contempt for the Reformation, and he did not believe that the papacy was the predicted antichristian Apostasy or Beast of Daniel and the Apocalypse (Revelation).</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">John Nelson Darby (1800-1882) magnified Maintland"s errors. Darby read the pamphlets that Maitland produced and was persuaded. This man was the founder of the Plymouth Brethren. He thought this was a great revelation"with such a simplified view of Bible prophecy, there was no need to understand the historic application. It was all in the future! Darby wrote several volumes on this new understanding of prophecy. He influenced many people, including Cyrus Ingerson Scofield (1843-1921) who incorporated Darby"s views in the Scofield Reference Bible in 1909. Scofield was awarded an honorary Ph.D., he didn"t earn it.</span></p>
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<p class="MsoNormal" style="text-align:center;margin:5pt 0;" align="center"><strong><span style="font-size:9pt;font-family:Arial;"><img src="http://anewreligion.webs.com/originsoftherapture.jpg" border="0" alt="" /></span></strong></p>
<p class="MsoNormal" style="text-align:center;margin:5pt 0;" align="center"><strong><span style="font-size:9pt;font-family:Arial;">THE RAPTURE " FIRST PUBLISHED IN </span></strong><strong><span style="font-size:9pt;font-family:Arial;">SPAIN</span></strong><strong><span style="font-size:9pt;font-family:Arial;"> ABOUT THE SAME TIME</span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><em><span style="font-size:9pt;font-family:Arial;">The Coming of Messiah in Glory and Majesty</span></em><span style="font-size:9pt;font-family:Arial;">, a book by Emmanuel Lacunza (1731-1801), a Jesuit priest from Chili, contains what some say is the first known reference to this strange new idea of a rapture. His book was published in </span><span style="font-size:9pt;font-family:Arial;">Spain</span><span style="font-size:9pt;font-family:Arial;"> and then translated into English and <strong><span style="text-decoration:underline;">published in </span></strong></span><strong><span style="text-decoration:underline;"><span style="font-size:9pt;font-family:Arial;">London</span></span></strong><strong><span style="text-decoration:underline;"><span style="font-size:9pt;font-family:Arial;"> in 1827</span></span></strong><span style="font-size:9pt;font-family:Arial;">. The book was attributed to a fictitious author named Rabbi Juan Josafat Ben-Ezra. In an extensive introduction the translator, Rev. Edward Irving (1792-1834) contended that the book was the work of a converted Jew!</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">Knowing fully well that he was giving a false position on the Second Coming of Christ and the resurrection of the dead, he presented Lacunza"s work as a new revelation from God. </span><span style="font-size:9pt;font-family:Arial;">Irving</span><span style="font-size:9pt;font-family:Arial;"> became one of the most eloquent preachers of his time. In 1828 his open-air meetings in </span><span style="font-size:9pt;font-family:Arial;">Scotland</span><span style="font-size:9pt;font-family:Arial;"> drew crowds of ten thousand people. In <strong><span style="text-decoration:underline;">March 1830</span></strong>, he held a series of prophecy meetings in which he introduced Lacunza"s ideas. [Michael J. Berry, <em>Foundation for Restoration</em>, p. 63-4]</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><strong><span style="text-decoration:underline;"><span style="font-size:9pt;font-family:Arial;">In 1830</span></span></strong><strong><span style="font-size:9pt;font-family:Arial;"> </span></strong><span style="font-size:9pt;font-family:Arial;">in Port Glasgow, Scotland, a 15-year-old named Margaret MacDonald claimed she had received a new revelation in a vision, then set about to share this vision of a pre-tribulation rapture with anyone who would listen. One who did was Robert Norton (1807-1883), who recorded Margaret"s prophecies and published them in a book, <em>The Restoration of Apostles and Prophets in the Catholic Apostolic Church</em> (</span><span style="font-size:9pt;font-family:Arial;">London</span><span style="font-size:9pt;font-family:Arial;">, 1861). I don"t know whether or not there is any record verifying whether Margaret ever heard or read </span><span style="font-size:9pt;font-family:Arial;">Irving</span><span style="font-size:9pt;font-family:Arial;">"s translation of Lacunza. Anyhow, Norton wrote that Miss MacDonald was the first to advance the idea of pre-tribulation rapture. [Note: Margaret MacDonald"s vision is recorded in <em>The Incredible Cover Up</em>.]</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">The rapturist doctrine of today is quite different from the fragments of rapture of Lacunza, MacDonald and Norton. They proclaimed a partial rapture in which only a select portion of the body of believers would be chosen. The identity of this elite, select portion quickly became a focal point of confusion and disagreement. Lacunza claimed that only those believers who partake of the sacrament of the Eucharist would be raptured; Miss MacDonald said the rapture would take away only those who were filled with the Spirit; and Norton claimed that only Christians who were sealed by the Holy Ghost with the laying on of hands would be raptured.</span></p>
<p class="MsoNormal" style="text-align:center;margin:5pt 0;" align="center"><strong><span style="font-size:9pt;font-family:Arial;">DARBY</span></strong></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">In the years that followed, John Nelson Darby (1800-1882), a brilliant and well-educated man from </span><span style="font-size:9pt;font-family:Arial;">Glasgow</span><span style="font-size:9pt;font-family:Arial;">, </span><span style="font-size:9pt;font-family:Arial;">Scotland</span><span style="font-size:9pt;font-family:Arial;">, developed the two-stage teaching into its current form. It was Darby who introduced this new teaching into the main current of prophetic interpretation. Darby, who was ordained a deacon by the Church of England in 1825, was acquainted with Edward Irving who translated Lacunza"s work, and had visited Miss MacDonald in the days when she was having her visions. The potential of their radical new prophecy of a rapture intrigued Darby, who was already unhappy with the lethargic conditions prevailing in many churches of his time. The pre-tribulation rapture theory became the rallying point of Darby"s break from the Church of England and the focus of his ascent to a position of leadership in the Plymouth Brethren movement. </span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">Strangely enough, what at first was understood to be a new and special revelation was soon to be dogmatically promoted as though it had always been the eternal truth of the scriptures. Those who opposed Darby, such as Charles H. Spurgeon and George Mueller, were excommunicated.</span></p>
<p class="MsoNormal" style="text-align:justify;margin:5pt 0;"><span style="font-size:9pt;font-family:Arial;">Darby"s biographers refer to him as "the father of modern dispensationalism." Cyrus Ingerson Scofield (1842-1921) became one of Darby"s most enthusiastic promoters. The Scofield Reference Bible (1909) has influenced countless thousands of believers. It is interesting to note that the majority of Scofield"s contemporaries"men such as Charles R. Eerdman, W.G. Moorhead, A.J. Gordon and Nathaniel West"rejected the views of this new "British" doctrine.</span></p>
<p style="text-align:center;margin:6pt 0;" align="center"><strong><span style="font-size:9pt;font-family:Arial;">THE NEW </span></strong><strong><span style="font-size:9pt;font-family:Arial;">ISRAEL</span></strong></p>
<p style="text-align:justify;margin:6pt 0;"><span style="font-size:10.5pt;font-family:Arial;">When the new Israel became a nation again in 1947, under the flag of the beast (the star on the Israeli flag), it was to fulfil the fabricated FUTURIST teachings introduced in 1585 by the Roman Catholic Jesuit called RIBERA, who said that the 7-year tribulation and antichrist are all in the future. The Pentecostals helped push the beast"s doctrine in the 20th Century, so that in 1947, the beast could create his own new state of </span><span style="font-size:10.5pt;font-family:Arial;">Israel</span><span style="font-size:10.5pt;font-family:Arial;">, and say "it is the fulfilment of bible prophecy!".</span></p>
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<title><![CDATA[Toledo, encrucijada de culturas.]]></title>
<link>http://sweetholidays.wordpress.com/?p=45</link>
<pubDate>Sun, 17 Aug 2008 22:05:49 +0000</pubDate>
<dc:creator>sweetholidays</dc:creator>
<guid>http://sweetholidays.wordpress.com/?p=45</guid>
<description><![CDATA[
 
Aquí dejamos un post que nos ha mandado nuestro amigo Mario de su escapada a Toledo. Gracias Ma]]></description>
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<p><span style="font-size:xx-small;"><strong>Aquí dejamos un post que nos ha mandado nuestro amigo Mario de su escapada a Toledo. Gracias Mario!!</strong></span></p>
<p>Toledo</p>
<p>Toledo es una ciudad preciosa, que se encuentra rodeada por el río Tajo por tres de sus flancos.</p>
<p>En el flanco que no estaba protegido por el río, edificaron una impresionante muralla que encierra un intrincado laberinto de calles, unas cuesta arriba y otras cuesta abajo, sin un rincón que no conserve el ambiente medieval.</p>
<p>Por la ladera del cauce en la que no se encuentra la ciudad, discurre una carretera en la que se encuentran distribuidos diversos miradores dónde se puede detener el vehículo por un momento para apreciar Toledo a vista de postal.</p>
<p>En Toledo, como punto histórico clave, conserva un Alcazar que ha sido maltratado por el paso de los años, pero que actualmente se encuentra totalmente restaurado y resplandece en pleno casco antiguo. Frente a este símbolo de la guerra, al otro lado del río Tajo, se encuentra la academia de infantería, cuyo edificio también causa admiración.</p>
<p>Otro edificio impresaionante, entrando por la última puerta de la muralla, y un poco antes de llegar a la casa-museo El Greco, es el Claustro Monasterio San Juan de los Reyes.</p>
<p>La catedral es preciosa, está en la plaza del Ayuntamiento, bien adentrada en el casco antiguo, al que normalmente se accede por la «Puerta de Bisagra», así que después de tanto caminar, el visitante puede agradecer que ante la «Puerta del Reloj», que actualmente es su entrada para turistas, hayan puesto un montón de botijos y unos grifos para llenarlos. La entrada cuesta 7 euros.</p>
<p>Se puede coger un tren turístico (parte de la plaza Zocodover) que te llevará por los edificios y vistas mencionadas anteriormente, así como por el castillo de San Servando dónde estuvo el mismísimo Cid, al razonable precio de 4.50 euros, y también se pueden contratar visitas nocturnas, entre 12 y 18 euros, que incluye el cuento de leyendas propias de Toledo ciudad.</p>
<p>Un producto típico de Toledo, a parte de las espadas, son los mazapanes, principalmente preparados por las monjas en sus conventos. Espadas he visto muchas, y muy bonitas, desde 50 euros, pero como dice mi madre «no debo comprarme algo solo porque me gusta».</p>
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<title><![CDATA[Thailand &amp; Transsexuality]]></title>
<link>http://ninanyc.wordpress.com/?p=220</link>
<pubDate>Fri, 01 Aug 2008 20:12:16 +0000</pubDate>
<dc:creator>ninanyc</dc:creator>
<guid>http://ninanyc.wordpress.com/?p=220</guid>
<description><![CDATA[I read this BBC article the other day about a northeastern Thai school&#8217;s third bathroom facili]]></description>
<content:encoded><![CDATA[<p>I read <a href="http://news.bbc.co.uk/2/hi/asia-pacific/7529227.stm">this BBC article</a> the other day about a northeastern Thai school's third bathroom facility - for transsexuals.  (Note about me: Almost my entire family is in Thailand and I go home to Bangkok every two years.  I also speak Thai pretty fluently with my parents and coworkers.)</p>
[caption id="" align="aligncenter" width="226" caption="The 3rd toilet sign; I almost think it should be purple?"]<a href="http://news.bbc.co.uk/2/hi/asia-pacific/7529227.stm"><img src="http://newsimg.bbc.co.uk/media/images/44869000/jpg/_44869557_sign_226.jpg" alt="" width="226" height="170" /></a>[/caption]
<p><a href="http://en.wikipedia.org/wiki/Transsexual">Wikipedia</a> states that transsexuality is most prevalent in Thailand than in any other country in the world - a statement that not only confirms my past experiences there, but also forces me to clarify my own understanding of transsexuality in Thailand. Because I'll admit, I'm never really prepared when someone responds to my "I'm from Thailand" factoid with, "Did you know that Thailand is known for its quality, lower-cost sex reassignment surgery?"  Um..yes I did, thanks. I mean, I've come to expect the usual reaction - "I LOVE Thai food, omgz aslkgja;wlkrjga!" - so my discomfort probably comes from lack of information on the topic.</p>
<p>The Thai word, "<a href="http://en.wikipedia.org/wiki/Kathoey">kathoey</a>" ("ladyboy" in English), can refer to either a transgender male who identifies as a female (who may or may not have gotten sex-change surgery), or an effeminate gay male.  Growing up, I've heard and used the word countless times.  From my experience, the term isn't used in an insulting or derogatory manner so much as it announces a sighting or a giggly revelation that the woman walking by is/was biologically a man.  Rather, Thai transsexuals are something of a spectacle - neither completely excluded from the community nor completely accepted.</p>
<p>It makes sense, then, that Thailand is known for its transgender cabarets in Pattaya (a popular beach/tourist city).  Actually, my mom's friend's father owns one of the two most famous cabaret shows - <a href="http://www.alcazarpattaya.com/">Alcazar</a> - which bills itself as "The 8th Wonder of the World."  Right - spectacle.  In the two times I've seen Alcazar, the performers (all transsexual males, many of whom have had genital reassignment surgery) have all stunned me with their beauty and femininity.  A literal I-can't-believe-my-eyes kind of moment.</p>
[caption id="" align="aligncenter" width="500" caption="Kathoeys performing in Alcazar in elaborate Thai costume/set (they also have a song set dressed up as The Supremes"]<a href="http://www.flickr.com/photos/tigerpalace/1592992130/"><img src="http://farm3.static.flickr.com/2203/1592992130_9a1fa9d30b.jpg?v=0" alt="Kathoeys performing in Alcazar in elaborate costumes &#38; set" width="500" height="335" /></a>[/caption]
<p>Sometimes I want to object that these shows unfairly employ the kathoeys as freaks in a freak show.  But after considering the role of transsexual individuals in Thai culture, the fact remains that these cabarets help propel kathoeys onto the national and international scene.  They've become a part of the Thai image, which helps increase visibility and tolerance of transsexuality.  Several individuals have used the cabarets as launching pads for greater fame as <a href="http://news.bbc.co.uk/2/hi/asia-pacific/7529227.stm">transgender rights campaigners</a>, singers, <a href="http://en.wikipedia.org/wiki/Nong_Tum">boxers</a>, and <a href="http://www.brandweeknrx.com/2007/11/boy-or-girl.html">beauty pageant winners</a>.  So no, I don't consider transsexuality in Thailand to be a freak show - instead, it seems to be about furthering acceptance; by assuming their expected roles as cabaret performers, they can begin to reshape these identities for themselves.</p>
[caption id="" align="aligncenter" width="450" caption="Tanyarat Jirapatpakon, winner of Miss International Queen 2007, a Thai transgender beauty contest"]<a href="http://www.brandweeknrx.com/2007/11/boy-or-girl.html"><img src="http://www.brandweeknrx.com/images/2007/11/15/boygirl.jpg" alt="Tanyarat Jirapatpakon, winner of Miss International Queen 2007, a Thai transgender beauty contest" width="450" height="308" /></a>[/caption]
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<title><![CDATA[Folk Segovia. Un festival para los cinco Sentidos]]></title>
<link>http://segovia2016.wordpress.com/?p=101</link>
<pubDate>Tue, 01 Jul 2008 18:34:36 +0000</pubDate>
<dc:creator>grupo b team</dc:creator>
<guid>http://segovia2016.wordpress.com/?p=101</guid>
<description><![CDATA[Folk Segovia se convierte un año más en el centro de todas las miradas en lo que a música folcló]]></description>
<content:encoded><![CDATA[<p style="text-align:left;"><span style="font-size:8pt;color:#000000;font-family:Verdana;"><a href="http://folksegovia.es/presentacion.htm" target="_blank">Folk Segovia</a> se convierte un año más en el centro de todas las miradas en lo que a música folclórica se refiere y es que el año 2008 no viene sino a refrendar lo que año tras año se va consiguiendo, mejorar.</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">PROGRAMA:<br />
</span><span style="font-size:8pt;color:#000000;font-family:Verdana;"><span style="font-size:8pt;color:#000000;font-family:Verdana;"><a href="http://segovia2016.files.wordpress.com/2008/07/lateral-folk-segovia1.jpg"><img class="size-full wp-image-109 alignright" src="http://segovia2016.wordpress.com/files/2008/07/lateral-folk-segovia1.jpg" alt="" width="256" height="200" /></a></span><br />
</span><span style="font-size:8pt;color:#000000;font-family:Verdana;">V</span><span style="font-size:8pt;color:#000000;font-family:Verdana;">IERNES 27 DE JUNIO<a href="http://folksegovia.es/presentacion.htm" target="_blank"><span style="text-decoration:none;"> </span></a><br />
19.00h. INAUGURACIÓN OFICIAL, con actuación a cargo de Eliseo Parra (Castilla y León)<br />
Lugar: La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">SÁBADO 28 DE JUNIO</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">19.00h. Nacho Saavedra (Madrid)<br />
Lugar: La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">20.30h. Oeste (Castilla y León)<br />
Lugar: Pza. de San Martín</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">DOMINGO 29 DE JUNIO<br />
19.00h. Juan Hedo (Castilla y León)<br />
Lugar: La Alhóndiga  </span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;"> 22.00h. Son de Seu (Galicia)<br />
Lugar: Plaza del Azoguejo</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">LUNES 30 DE JUNIO<br />
19.00h. Folkidelia (Castilla - La Mancha)<br />
Lugar: La Alhóndiga </span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">MARTES 1 DE JULIO<br />
19.00h. Bruel (Cataluña)<br />
La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">MIÉRCOLES 2 DE JULIO<br />
19.00h. Javi de Manuel (Andalucía)<br />
Lugar: La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">22.30h. Los Talaos (Madrid), Hexacorde (Madrid) y Vanessa Muela (Castilla y León) <br />
Lugar: Los Zuloagas </span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">JUEVES 3 DE JULIO<br />
19.00h. Carlos Montero (Argentina)<br />
Lugar. La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">22.30h. La Órdiga (Castilla y León) y Let the Children Play (Castilla y León)<br />
Lugar: Los Zuloagas </span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">VIERNES 4 DE JULIO<br />
19.00h. O Carolan (Aragón)<br />
Lugar: La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">22.30h. Margarida Guerreiro (Portugal) y Tendachent (Italia)<br />
Lugar: Los Zuloagas</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">SÁBADO 5 DE JULIO<br />
19.00h. José Antonio Alonso (Castilla - La Mancha)<br />
Lugar: La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">20.30h. Presentación de "La mujer a la luz del folklore" (Ed. Diputación de Albacete)<br />
Lugar: La Alhóndiga</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">20.30h. FESTIVAL JOVEN DE LA ESTEVA - Escola Provincial de Danza de Ourense y Grupo de Danzas "La Esteva"<br />
Lugar: Plaza del Azoguejo</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">22.30.: Juan Mari Beltrán (País Vasco) y Los Sabandeños (Canarias)<br />
Lugar: Los Zuloagas</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;"><a href="http://segovia2016.files.wordpress.com/2008/07/lateral-folk-segovia.jpg"></a></span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">SÁBADO 5 Y DOMINGO 6 </span><span style="font-size:8pt;color:#000000;font-family:Verdana;">DE JULIO<a href="http://segovia2016.files.wordpress.com/2008/07/cabecera1.jpg"></a><font face="Verdana" color="#000000"><img class="size-full wp-image-112 alignright" style="float:right;" src="http://segovia2016.wordpress.com/files/2008/07/portada_folksegovia2008p2.jpg" alt="" width="211" height="300" />10.30h. TALLER DE DANZAS DEL MUNDO<br />
Lugar: Casa de Andrés Laguna<br />
10.30h. TALLER DE RESPIRACIÓN CIRCULAR<br />
Lugar: Iglesia de San Nicolás<br />
11.30h. TALLER INFANTIL DE CONSTRUCCIÓN DE INSTRUMENTOS<br />
Lugar: Plaza de San Martín</p>
<p></font></span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">12.00h. PASACALLES por el Centro Histórico con participación de los siguientes grupos:</span></p>
<ul type="disc">
<li class="MsoNormal"><span style="font-size:8pt;font-family:Verdana;">Tierra de Pinares (Castilla y León)</span></li>
<li class="MsoNormal"><span style="font-size:8pt;font-family:Verdana;">Abraira (Castilla y León) </span></li>
<li class="MsoNormal"><span style="font-size:8pt;font-family:Verdana;">El Auxar (Comunidad Valenciana) </span></li>
<li class="MsoNormal"><span style="font-size:8pt;font-family:Verdana;">Ronda de El Bonillo (Castilla - La Mancha)</span></li>
<li class="MsoNormal"><span style="font-size:8pt;font-family:Verdana;">Ronda de Villanueva de la Vera (Extremadura)</span></li>
<li class="MsoNormal"><span style="font-size:8pt;font-family:Verdana;">Clamores (Castilla y León) </span></li>
</ul>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">PRECIOS / VENTA DE ENTRADAS<br />
- La Alhóndiga (desde el 28 de Junio): 2 €<br />
- Los Zuloagas (a partir de las 21.00h. los días de concierto): 10 €</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">FERIA DISCOGRÁFICA:Folk Segovia volverá a contar con una feria discográfica dirigida a los aficionados y a todos aquellos que quieran iniciarse en el mundo de la música folk. Varias compañías ofrecerán su catálogo durante los días que dure la feria para facilitar a los coleccionistas el adquirir las piezas que aún les faltan en su colección.<br />
Una retrospectiva del fotógrafo Paco Manzano recuerda los momentos más destacados de Folk Segovia. La exposición fotográfica de Paco Manzano "24 ediciones de Folk Segovia" se podrá ver en La Alhóndiga, entre los días 27 de junio y 6 de julio, de 12 a 14 horas y de 16 a 21 horas.</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;"><strong>Editorial</strong></span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">Pues sí, ya cumplimos el cuarto de siglo. ¿Y que hemos hecho en estos años?. Muy fácil:</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">Presentar la música de raíz en todas sus manifestaciones, desde lo llamado puro a la fusión más actual; dar cancha a las nuevas formaciones españolas; ofrecer muestras de otras culturas, de otros países; disfrutar de los artistas más consagrados; conferencias; exposiciones; talleres;feria de discos, .... Y hemos usado los recintos más hermosos: Plaza del Azoguejo, Plaza de San Martín, Plaza Mayor, Plaza de San Esteban, Calle Real, Alhóndiga, Torreón de Lozoya, San Juan de los Caballeros (iglesia y jardín), Casa de Abraham Senior, Salón de actos de Cajasegovia, Palacio de Quintanar... Y hemos tenido momentos maravillosos: la lluvia con Carlos do Carmo; la majestuosidad con Hevia y la Bandona de Villaviciosa; la complicidad de Calicanto y Filipa Pais; la avalancha de público con Gwendal; la pasión segoviana hacia Nuevo Mester; el señorío con Mª del Mar Bonet; la sorpresa con Free Folk; la emoción con La Vieja Trova Santiaguera; la pureza de Ségueme a Capella; el nacimiento de Celtas Cortos; la anticipación de Kepa Junkera; el señorío de Carlos Montero; el desgarro de El Cigala; el viento con Emilio Cao; la nostalgia con los Pioneros (Vino Tinto, Carcoma, Hadit, Maíz y Laurel); la alegría de Gertrudis; el gancho de El Bicho; el hermanamiento con Los Sabandeños; la generosidad de la Ronda Segoviana; la presencia imponente de los maestros dulzaineros Silverio, Facundo, El Obispo, Florencio, Antonio, Talaos, ...; lo exótico de Finka Pé o Pohjantati; la novedad de La Musgaña; la sabiduría de Manuel Luna; el consejo de Ismael; la prudencia de Quique Valiño; el apoyo de Martinotti; las retrasmisiones de Radio3; las críticas de El Ruso; la presencia de tantos músicos anónimos y espontáneos y de tantos entusiastas de la música de raíz y la cultura tradicional. Muchas vicisitudes, muchas alegrías, algunas penas, sol, lluvia, entusiasmo, y... mucha gente en nuestra ciudad y en nuestro corazón.</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">Y es el momento de los reconocimientos y agradecimientos: en primer lugar a los responsables de todas las instituciones de ámbito local, provincial y autonómico y su disposición inmediata para apoyar el festival en sus inicios, apoyo que, básicamente, se ha mantenido hasta la fecha. También a RNE-R3 que retransmitió en directo para la UER (Unión Europea de Radiodifusión) las tres primeras ediciones, y que después ha seguido dándonos cobertura. A la Fundación Don Juan de Borbón y sus "almas" Teresa, Eva y Paco, que nos ayudan a llegar a buen puerto. A todos los responsables de instituciones segovianas, públicas y privadas, que nos han cedido instalaciones, sufragado gastos, reducido costes. Y, especialmente, a otras instituciones:</span></p>
<p style="text-align:center;"><span style="font-size:8pt;color:#000000;font-family:Verdana;"><span style="font-size:8pt;color:#000000;font-family:Verdana;"><a href="http://segovia2016.files.wordpress.com/2008/07/segovia-vista-en-rosa2.jpg"><img class="size-full wp-image-107 aligncenter" src="http://segovia2016.wordpress.com/files/2008/07/segovia-vista-en-rosa2.jpg" alt="" width="500" height="171" /></a></span></span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">Injuve, A.I.E., S.G.A.E., Diputación de Albacete, Diputación de Guadalajara, Diputación de Salamanca, Gobierno de Cantabria, Gobierno de Canarias, Gobierno de La Rioja, Gobierno de Cataluña, Gobierno de Baleares, Gobierno de Azores, Gobierno de Méjico, Unión Europea, ... que nos ayudan generosamente desde hace muchos años. Por todo ello vamos a seguir trabajando con el máximo entusiasmo para conseguir mantener el espíritu del festival y QUE SEGOVIA SEA Y SIGA SIENDO UNA <a href="http://folksegovia.es/presentacion.htm" target="_blank">FIESTA FOLK</a>.</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">Luis Martín Díez</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;">Más información<br />
Telf: 616 683 752 - 629 455 552</span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;"><a href="http://folksegovia.es/presentacion.htm" target="_blank">Ver web oficial</a></span></p>
<p><span style="font-size:8pt;color:#000000;font-family:Verdana;"><a href="http://folksegovia.es/pdf/Folksegovia_Revista2008.pdf" target="_blank">Ver programa en PDF</a></span></p>
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<title><![CDATA[Weekend city break - Seville]]></title>
<link>http://happenupontravel.wordpress.com/?p=7</link>
<pubDate>Tue, 01 Jul 2008 11:58:52 +0000</pubDate>
<dc:creator>happenupon</dc:creator>
<guid>http://happenupontravel.wordpress.com/?p=7</guid>
<description><![CDATA[
A weekend city break in Seville is a great idea. Seville is home to Flamenco, bullfighting, Carmen ]]></description>
<content:encoded><![CDATA[<p><a href="http://happenupontravel.files.wordpress.com/2008/07/2007_1116ebay0117.jpg"><img class="alignnone size-medium wp-image-9" src="http://happenupontravel.wordpress.com/files/2008/07/2007_1116ebay0117.jpg?w=300" alt="" width="300" height="225" /></a></p>
<p>A weekend city break in Seville is a great idea. Seville is home to Flamenco, bullfighting, Carmen the Opera, the Alcazar, and my favourite the Tapas. Tiny bars packed to crushing point with people spilling out onto the streets. Instead of a waiter taking an order, you tell the barman and he/she chalks it on the bar where you are sat.  If you don't like a bar move on, if it shuts move on, there are always other bars just round the corner.</p>
<p>We flew direct to seville airport (thankyou budget airline)  and then a quick cab to stay at <a href="http://www.sanandresapartment.com/welcome.htm" target="_blank">San Andres Apartment</a> which is in the centre of the old part of Seville but tucked away which made a great oasis from the hussle and bustle.</p>
<p>One of the things we always like when on a city break is a place to go and chill in the sunshine. This apartment has two terraces, a roof top hot tub, as well as a lovely shady day bed area we were in heaven.</p>
<p>In the evening wandering around eating tapas seems to be the best thing to do, it suits the temperature, you are on holiday so go to the places with the best ambiance. The apartment has a great list of all the best tapas bars but remember it is a weekend break not a treasure hunt! I have made us walk miles from one end of the city to the other just because they serve better meatballs only to find them shut.</p>
<p>In the evening, once the tourists have gone home, head to Santa Cruz, with its pretty old streets and hidden bars. One of my favourites claims to be the oldest bar in seville (has a plaque outside) and is no bigger than a shop window it sells vino de naranja which is dark brown, sweet and tastes of oranges. Served in shot glasses, staring up at the cathedral sipping orange wine is always a favourite for us.</p>
<p>Top Tips - take a horse and cart around the city it is a lovely way to travel a big distance without getting too hot! Go to the Cathedral and of course the Alcazar.</p>
<p>Cost - Well I think we managed to get the flights for about £70 each (check the link on the right for latest deals) and the apartment was 95 euros per night (min 3 night stay) so roughly about £340 for two (or £170 each for three nights of bliss in Seville)</p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:10pt;"><a href="http://happenupontravel.files.wordpress.com/2008/07/2007_1116ebay0006.jpg"></a><a href="http://happenupontravel.files.wordpress.com/2008/07/2007_1116ebay0037.jpg"></a>[gallery]</span></p>
<p class="MsoNormal" style="margin:0;"><span style="font-size:10pt;">Best time to go - April, May, September, October, November</span></p>
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<title><![CDATA[Segovia]]></title>
<link>http://joanmolar.wordpress.com/?p=517</link>
<pubDate>Thu, 19 Jun 2008 20:05:41 +0000</pubDate>
<dc:creator>joanmolar</dc:creator>
<guid>http://joanmolar.wordpress.com/?p=517</guid>
<description><![CDATA[
Segovia és una de les més bellas ciutats d&#8217;Espanya. A més, te nombrossísims monuments, in]]></description>
<content:encoded><![CDATA[<p><a href="http://joanmolar.files.wordpress.com/2008/06/segovia.jpg"><img class="alignnone size-full wp-image-516" src="http://joanmolar.wordpress.com/files/2008/06/segovia.jpg" alt="" width="402" height="540" /></a></p>
<p>Segovia és una de les més bellas ciutats d'Espanya. A més, te nombrossísims monuments, inacabables monuments, tots ells de primera categoria: l'aqueducte, l'Alcázar, (a la foto). la catedral, el monestir del Parral, l'ermita de la verge. I fora, a pocs kms. llocs tan fantàstics com els palaus de la Granja i de Riofrio, els pobles medievals de Sepúlveda o Turégano, las hoces del Duratón. Segovia mereix una visita completa, la ciutat i la província. Tornareu a casa amb ganes de venir-hi de nou, paraula d'escout!  <a href="http://www.segoviaturismo.es/">http://www.segoviaturismo.es/</a>  L'hotel "Los Arcos" és el millor de la ciutat: <a href="http://www.hotellosarcos.com/">http://www.hotellosarcos.com/</a></p>
<p>Segovia es una de las más bellas ciudades de España. Además, tiene mogollón de monumentos, inacabables monumentos, todos ellos de primera categoría: aqueducto, Alcázar, (a la foto). la catedral, el monasterio del Parral, la ermita de la virgen. Y fuera de la ciudad, a pocos kms, lugares tan fantásticos como los palacios de la Granja y de Riofrio, los pueblos medievales de Sepúlveda o Turégano o las hoces del Duratón. Segovia merece una visita completa, la ciudad y la provincia. Volveréis a casa con ganas de venir de nuevo, palabra de escout! <a href="http://www.segoviaturismo.es/">http://www.segoviaturismo.es/</a>  El hotel "Los Arcos" es el mejor de la ciudad: <a href="http://www.hotellosarcos.com">http://www.hotellosarcos.com</a> </p>
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<title><![CDATA[Quest Star: Assiah]]></title>
<link>http://kailos.wordpress.com/?p=67</link>
<pubDate>Thu, 05 Jun 2008 21:11:49 +0000</pubDate>
<dc:creator>kailos</dc:creator>
<guid>http://kailos.wordpress.com/?p=67</guid>
<description><![CDATA[

Assiah es el primero de una lista de personas que aprecio en lo fotográfico a las que les quiero ]]></description>
<content:encoded><![CDATA[<p><a title="mememememem por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/2249348696/"></a></p>
<p style="text-align:center;"><img class="aligncenter" src="http://farm3.static.flickr.com/2240/2249348696_ec2b99766e.jpg" alt="mememememem" width="330" height="500" /></p>
<p>Assiah es el primero de una lista de personas que aprecio en lo fotográfico a las que les quiero dedicar una entrada en mi blog.</p>
<p>Conozco a Assiah desde hace once años, han pasado los años y ha sido una de mis amistades más duraderas quitando algún que otro compañero de colegio con los que todavía tengo contacto.</p>
<p>Hace un par de años pasé por su piso en La Laguna (Tenerife) y me enseñó unas fotos en su portátil que dicho sea de paso me impresionaron, por aquél entonces me importaba tres rábanos (para que os voy a mentir hasta hace cosa de un año cuando me picó mi amigo <a href="http://www.lisergico.es" target="_blank">Sergio</a> pasaba de la fotografía).</p>
<p>Os dejo una selección de <a href="http://www.flickr.com/assiahdenea" target="_blank">su cuenta de Flickr</a>:</p>
<p><a title="princess valen por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/1686529179/"><img src="http://farm3.static.flickr.com/2133/1686529179_40eb523c51.jpg" alt="princess valen" width="333" height="500" /></a></p>
<p><a title="sophi3 por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/1687158008/"><img src="http://farm3.static.flickr.com/2042/1687158008_09236daea5.jpg" alt="sophi3" width="500" height="333" /></a></p>
<p><a title="ines2 por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/1687473012/"><img src="http://farm3.static.flickr.com/2086/1687473012_52f13c34d9.jpg" alt="ines2" width="333" height="500" /></a></p>
<p><a title="DSC_0006 por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/1686510313/"><img src="http://farm3.static.flickr.com/2356/1686510313_8171d45dbd.jpg" alt="DSC_0006" width="333" height="500" /></a></p>
<p><a title="aline7 por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/2108525823/"><img src="http://farm3.static.flickr.com/2048/2108525823_3e9aa7e67e.jpg" alt="aline7" width="333" height="500" /></a></p>
<p><a title="dogs por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/1687434469/"><img src="http://farm3.static.flickr.com/2261/1687434469_8db2df4f5f.jpg" alt="dogs" width="500" height="333" /></a></p>
<p><a title="arena por assiahdenea, en Flickr" href="http://www.flickr.com/photos/assiahdenea/1688270082/"><img src="http://farm3.static.flickr.com/2407/1688270082_e5dc360d45.jpg" alt="arena" width="500" height="333" /></a></p>
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<title><![CDATA[Una darrere l'altra]]></title>
<link>http://projectesinterns.wordpress.com/?p=300</link>
<pubDate>Mon, 12 May 2008 22:53:59 +0000</pubDate>
<dc:creator>oscarvisus</dc:creator>
<guid>http://projectesinterns.wordpress.com/?p=300</guid>
<description><![CDATA[divendres estava fent el solitari de rigor d&#8217;abans d&#8217;anar a dormir i tenia posat, a la t]]></description>
<content:encoded><![CDATA[<p>divendres estava fent el solitari de rigor d'abans d'anar a dormir i tenia posat, a la tele, el canal de RAC105 del tdt. Osti tu, quin delit de cançons. Em van fotre, una darrere l'altra:</p>
<p>- 4 non blondes, "<strong>What's up</strong>", que m'encanta i la trobo una cançó espatarrant. I és que és d'aquestes que m'hi emociono!!!! Buf: and I say hey-ye-ye-ye, uats gouin gon. Endai crai, endai zen got enai crai!</p>
<p>A part que la lletra la trobo profunda i maca i la veu de la cantant és híper expressiva.</p>
<p><span style="font-family:Courier New;"><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/LiDpMfEeo3Q'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/LiDpMfEeo3Q&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></span></p>
<p>- A-Ha, "<strong>Take on me</strong>". I jo fent el solitari i cantant: teeeeeei-cooooon-miiiiiii, teeeeic-miiiiiiiii-oooooooon, aalbiiiii goooooon, tarararúúúúú</p>
<p>- I el moment orgàsmic va ser amb ABBA, "<strong>The winner takes it all</strong>": Súper trista, la cançó, però el momentazo ABBA no me'l treu ningú!</p>
<p><span style="font-family:Courier New;"><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/xK3mVxGfzPY'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/xK3mVxGfzPY&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></span></p>
<p>- I quan semblava que ja no podies demanar res més, vénen uns altres suecs, Alcazar, i em canten "<strong>Crying at the discotheque</strong>". Més recent, de fa potser 5 anys i no tan bona com What's up o The winner..., però genial igualment. Jo estava: jolín, hauré de posar RAC105 més sovint!!!!!</p>
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<title><![CDATA[Vuelve Alcazar, pero renovados!]]></title>
<link>http://sientelamusica.wordpress.com/?p=88</link>
<pubDate>Sat, 10 May 2008 12:36:19 +0000</pubDate>
<dc:creator>manga4ever</dc:creator>
<guid>http://sientelamusica.wordpress.com/?p=88</guid>
<description><![CDATA[El grupo sueco ALCAZAR, vuelve a los escenarios con algunos cambios. Para empezar vuelven a ser 3 in]]></description>
<content:encoded><![CDATA[<p>El grupo sueco ALCAZAR, vuelve a los escenarios con algunos cambios. Para empezar vuelven a ser 3 integrantes, como en los inicios, pero en el puesto de Annikafiore entra Lina Hedlund y Magnus también se ha ido del grupo.</p>
<p>El nuevo single de Alcazar titulado "We Keep On Rokin'" es un tema muy similar a lo que habia hecho el grupo en sus incios y recupera la esencia del glamour y de las lentejuelas de este sofisticado grupo sueco que se hizo de oro con su single "Crying At The Discoteque".</p>
<p>El nuevo álbum saldra muy pronto, así que un vez más sólo nos queda esperar.</p>
<p>Más iformación : www.alcazarwold.com<img style="vertical-align:bottom;" src="http://static.fanzone.org/data/images/08/65/9e/659e2f0e1048522d1694558a0af6692775e34487.png" alt="" width="460" height="307" /></p>
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<title><![CDATA[Southern Comforts]]></title>
<link>http://holidayinspain.wordpress.com/?p=29</link>
<pubDate>Tue, 06 May 2008 09:58:47 +0000</pubDate>
<dc:creator>holidayinspain</dc:creator>
<guid>http://holidayinspain.wordpress.com/?p=29</guid>
<description><![CDATA[
Seville – Cordoba – Cadiz
(April 30 to May 5)

Words could not even begin to describe this past]]></description>
<content:encoded><![CDATA[<p><!--StartFragment--></p>
<p class="MsoNormal">Seville – Cordoba – Cadiz</p>
<p class="MsoNormal">(April 30 to May 5)</p>
<p class="MsoNormal">
<p class="MsoNormal">Words could not even begin to describe this past weekend, but I will try my very best.<span> </span></p>
<p class="MsoNormal">
<p class="MsoNormal">Wednesday afternoon was spent in great anticipation, some packing, and lots of nerves.<span> </span>My bus left Estación Sur at 11:00 p.m., Kim’s at midnight, and Caroline’s at 1:00 a.m.<span> </span>I probably could have accomplished quite a bit Wednesday afternoon but I was too excited.<span> </span>Oh and the nerves… we had bus tickets to and from Seville, high hopes, great backpacks… but that was it.</p>
<p class="MsoNormal">
<p class="MsoNormal">I arrived in Seville at 5:35 Thursday morning, and then just as we had left we arrived.<span> </span>Kim came next around 6:00 and Caroline showed up by 7:30.<span> </span>We felt gross, tired, and a little hungry.<span> </span>So we thought we might attempt a search for a hostel.<span> </span>Difficult.<span> </span>It was a holiday weekend (we did know that we might encounter this problem before we left, but where is the fun in that?).<span> </span>One very “nice” place had vacancies.<span> </span>Okay, whom am I kidding, there was a reason it was the only place with vacancies, but at least we had a back up plan.<span> </span>After a half hour of searching and a detour to sneak into the Cathedral, we decided we might try calling a few places in my wonderful <em>Let’s Go</em><span> book.<span> </span>Success.<span> </span>It was almost too easy, and it was located next to the most delicious bakery.<span> </span>So room and breakfast were taken care of, as well as a quick call to a hostel in Cordoba to make reservations for the following night.<span> </span>Amazing.<span> </span>We were rather impressed with ourselves.<span> </span>We’d gone from only a bus ticket at 7:30 to hostels in Seville and Cordoba by 9:00 a.m.!<span> </span>I called my friend Erin who was studying in Seville, so after coffee and croissants we decided to meet at the Alcazar.<span> </span></span></p>
<p class="MsoNormal">
<p class="MsoNormal">The Real Alcazar de Sevilla was built in the 1600s by the Moors.<span> </span>The Arab influence in all of Andalucia was striking.<span> </span>Anyway the palace had beautiful arches, patios, and gardens.<span> </span>The gardens were breathtaking.<span> </span>Fountains, palm trees, ponds, more arches, courtyards, roses, more flowers, ducks, beautiful.<span> </span></p>
<p class="MsoNormal">
<p class="MsoNormal">We met up with Erin and her roommate and went to the Cathedral next.<span> </span>It is the third largest in the world and the biggest gothic structure ever constructed.<span> </span>There are 44 chapels, a patio of orange trees, a thorn from the crown of Jesus, and supposedly the remains of Christopher Columbus.<span> </span>We also climbed to the top of La Giralda minaret which was built in 1198.<span> </span>The view from the top was breathtaking.<span> </span>There is a law I believe, that doesn’t allow any building to be more then four stories so that it isn’t taller then La Giralda.</p>
<p class="MsoNormal">
<p class="MsoNormal">Did a little wandering through the streets after our touring.<span> </span>We learned about Seville’s colors, which we also happened to be wearing that day: Red for the bulls blood (bullfighting is very big) which Caroline was wearing, Yellow for the dirt/sand or maybe clay (Kim), and White for España (me)!<span> </span>We bought our bus tickets for Cordoba, saw the Plaza de España and then stopped for a long lunch near the Cathedral.<span> </span>It was mid afternoon when we finished and realized there was nothing left for us to see of major importance.<span> </span>Walking by a tapas bar we noticed it was overly crowded so we thought we’d stop by for a drink and hopefully meet some people so we could practice our wonderful Spanish.<span> </span>Kim aksed for “tres cervezas” which resulted in a song and dance from a group of people in the bar and us spending the rest of the evening hanging out with a Spanish Rugby team.<span> </span>Truly entertaining.<span> </span>This trip was turning out very well.<span> </span>The party eventually left the bar and moved down by the river and then we eventually said our goodbyes (it was almost midnight...) and met Erin to see a Flamenco performance.<span> </span>Sleep.</p>
<p class="MsoNormal">
<p class="MsoNormal">Friday morning we had breakfast and boarded the bus to Cordoba.<span> </span>Another beautiful city.<span> </span>Oh and did I mention the weather was gorgeous?<span> </span>Sunshine and 80 degrees at least everyday.<span> </span>Our hostel was adorable. <span> </span>It was a family's home and very quaint.<span> </span>We had a balcony that overlooked the street.<span> </span>All of the streets in the old neighborhood were skinny and winding.<span> </span>Lunch and then the Mezquita.<span> </span></p>
<p class="MsoNormal">
<p class="MsoNormal">La Mezquita was built in AD 783 on the site of an old Visigoth basilica.<span> </span>It has more then 850 columns and at the time it was the third-largest mosque in the Islamic world after Mecca and Medina.<span> </span>However in 1371 following the reconquista the first chapel was built in the mosque beginning its transition into a place of Christian worship.<span> </span>In the 1500s a cathedral was constructed in the center of La Mezquita.<span> </span>It looks horribly wrong.<span> </span>All of these Arab arches in red and white and then Christian crucifixes and chapels stuck amid the numerous columns.<span> </span>So very wrong, almost frightening, but also very cool.<span> </span>The original mosque was added onto multiple times over the course of two centuries with the same style repeated.<span> </span>I thought it was interesting because with the last addition there was a lack of funds.<span> </span>Instead of using actual red and white stones to form the arches, they simply painted the stone red to make it match the rest and save time and money.</p>
<p class="MsoNormal">
<p class="MsoNormal">We also visited an old Jewish synagogue, one of only three left in Spain and the ancient Arab baths.<span> </span>That evening we had teas and juices sitting on cushions in a recreated 12<sup>th</sup> century tea house and then we left the walls of the old city in search of food.<span> </span>We ended up stumbling upon a small grocery store where they made us bocadillas (sandwiches) for less then a euro!<span> </span>Fruit, cookies, wine and pop (to make Calimocha) completed our picnic and we crossed the street to a park to eat and watch the sunset.<span> </span>Delicious.<span> </span>We also made friends with a dog whom we named Rodrigo.<span> </span>He was basically just using us for our food but we thought he was cute and he would sit and lay when we gave him the commands in Spanish!<span> </span>That night we slept with the doors to the balcony open.<span> </span>The weather was still nice…</p>
<p class="MsoNormal">
<p class="MsoNormal">Saturday morning we took a bus from Cordoba to Cadiz.<span> </span>It was time for the Beach.<span> </span>We arrived in Cadiz by 2:00 in the afternoon.<span> </span>Perfect sun-time.<span> </span>The water was blue, the sky was blue, we didn’t have a place to stay so we went straight to the beach with our backpacks and everything.<span> </span>We kind of assumed that since everything had worked out perfect so far it could work out once more.<span> </span>After about an hour and half of lying in the sun we were realized we were hungry and really hadn’t eaten at all that day.<span> </span>Plus we were hot.<span> </span>Cheap Chinese food hit the spot.<span> </span>And then disappointed that we could see no visible tan we thought we might find a place to sleep that night since we were tired of carrying around our massive bags.<span> </span>After a half hour walk to the old city we were ready to begin our hunt.<span> </span>We walked into the center of a plaza and a middle aged man stopped us and asked if we needed a hostel.<span> </span>Well “yes!” of course, that was easy.<span> </span>Although it might be a little shady we were thinking… but we said we’d go look at it.<span> </span>So he grabbed his bike (the non-motorcycle kind, don’t freak out mom!) and we followed him to his apartment on Feduchy street number 15.<span> </span>The whole way there he told us about the room, bathroom, and who else was staying in his home at the moment.<span> </span>This was our first experience with an “illegal” hostel, so we listened intently.<span> </span>It turned out to be a third floor apartment, slightly cluttered, but extremely clean.<span> </span>It was cheap, there was a lock on the door, and there were three of us.<span> </span>We took it.<span> </span>That was the easiest hostel to find yet!<span> </span>(We later realized that he was an obsessive compulsive cleaner.<span> </span>He mopped the bathroom everytime after we used it, emptied the garbage multiple times a day, and took our sheets to wash before we even left.)</p>
<p class="MsoNormal">
<p class="MsoNormal">More beach time after we “checked in” to our hostel then a stop at the grocery store so we could pack lunches for our beach day on Sunday.<span> </span>After showering the three of us admired our “color” that had appeared over the past few hours.<span> </span>That color happened to be very reddish.<span> </span>Lotion time.<span> </span>That night we tried a hookah bar, but they were out of the tobacco. <span> </span>Instead we had a few drinks and chatted.<span> </span>Then a group of 17 and 18 year old Irish boys invaded our table.<span> </span>They were funny, immature and in high school.<span> </span>We left and went to another bar to eat potato chips!  They also offered us some carmel pretzels.  Don't fall for it!  Kim opened the can and out popped those boingy snake things... The bartenders thought they were pretty clever...<span> </span></p>
<p class="MsoNormal">
<p class="MsoNormal">Sunday morning we had a breakfast of coffee and churros and then toured the cathedral and bell tower of Cadiz: amazing views from the tower of the Atlantic Ocean and the city.<span> </span>The Cathedral was built in the 18<sup>th</sup> century and took over 116 years to build.<span> </span>While the Cathedral is newer the city itself was founded in 1100 B.C. by the Phoenicians and it’s thought to be the oldest inhabited city in Europe.<span> </span>The old part of the city is located on a peninsula and is full of winding streets with open plazas.<span> </span>The people of Cadiz go to the beach.<span> </span>I’m not sure if they do anything else.<span> </span>Sunday afternoon we went to the beach again<span> </span>with our lunches and laid out some more.<span> </span>It was full of people.<span> </span>Very fun to people watch, the little kids were adorable.<span> </span>Went back to our “hostel” by 4:00 because we couldn’t take the sun anymore and showered.<span> </span>The nice thing was that there was no check out time…! <span></span><span> </span>Cleaned off all of the sand and put on fresh clothes for our marathon bus rides.<span> </span>We said goodbye to Miguel, our host, he gave us business cards made out of construction paper and written in pen.<span> </span>We told him if we were ever in Cadiz again we would definitely look him up.<span> </span>At 6:00 p.m. we took a bus back to Seville.</p>
<p class="MsoNormal">
<p class="MsoNormal">In Seville we stopped at a tapas bar along the river for a light dinner.<span> </span>Plus it was only 8:00, Kim had three hours until her bus left for Madrid and Caroline and I didn’t leave until 1:00 a.m.<span> </span>It was a swanky place called “Rubek: International Cocktail House.”<span> </span>We couldn’t afford the cocktails but we could afford a jar of Sangria.<span> </span>Yum!<span> </span>We also ordered some patatas bravas, croquetas, and meatballs.<span> </span>All of it was good.<span> </span>They served it with little cracker like breadsticks.<span> </span>We were hungry.<span> </span>We basically licked our plates clean.<span> </span>Then we reminisced and laughed about our wonderful weekend.<span> </span>We also joked about asking for more breadstick crackers.<span> </span>Most people don’t even eat them, they were kind of stale.<span> </span>So we asked our waiter for more.<span> </span>Laughed some more.<span> </span>Then the gentleman behind us got up and yelled at the waiter “Get these nerve-wracking girls Chupitos (shots) on the house.<span> </span>They speak perfectly good Spanish and here they are sitting babbling in English.”<span> </span>We looked at him surprised.<span> </span>Nerve-wracking?<span> </span>Really?<span> </span>Who uses that word to describe girls?<span> </span>I personally might have tried obnoxious… but NERVE-Wracking?<span> </span>And was the shouting necessary?<span> </span>Who did he think he was?<span> </span>The man sat down behind us with his friend again and asked us where we were from.<span> </span>We did the brief run down then we turned back to finish our stale crackers.<span> </span>He wasn’t done talking to us though.<span> </span>Turns out he owns the bar, as well as a few others in Germany and Amsterdam.<span> </span>He was originally from Ohio and now lives in Seville.<span> </span>He was a little crabby because his ex-wife was in town and had taken his car for the weekend so he couldn’t drive to the beach.<span> </span>That was a surprise to us.<span> </span>So we got our shots on the house.<span> </span>They were good.<span> </span>We kind of hoped our whole bill would have been on the house… no such luck.<span> </span>He probably heard us insulting some aspects of the establishment before we knew he was the owner and he was in earshot…<span> </span>His friend did offer to drive us to wherever we were going.<span> </span>We told him we could manage the five-minute walk to the bus station.<span> </span></p>
<p class="MsoNormal">
<p class="MsoNormal">Kim caught her bus.<span> </span>Caroline and I went to McDonalds and got McFlurrys and played hangman and MASH for two hours.<span> </span>I slept relatively well for it being a bus.<span> </span>We arrived in Madrid by 7:10 a.m. Monday morning.<span> </span>Just the right amount of time to take the metro home, change, eat breakfast and go to school.<span> </span></p>
<p class="MsoNormal">
<p class="MsoNormal">Five hours of interrupted sleep, classes, homework, I need to pay rent, go grocery shopping… I’d really prefer to go back to Andalucia at the moment!<span> </span>At least Madrid is sunny and in the high 70s today, and I have Flamenco class tonight.</p>
<p class="MsoNormal">
<p class="MsoNormal">Grenada and La Alhambra this weekend.<span> </span>Hopefully.<span> </span>I think we may actually make reservations for a room this time.<span> </span>Ha!</p>
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<title><![CDATA[Studio 54-traditie gebroken: internationale act Charlotte Perrelli-Nilsson vooraf al bekend]]></title>
<link>http://towntalk.wordpress.com/?p=1458</link>
<pubDate>Mon, 05 May 2008 17:06:42 +0000</pubDate>
<dc:creator>Benjamin</dc:creator>
<guid>http://towntalk.wordpress.com/?p=1458</guid>
<description><![CDATA[Een van de weinige echte tradities in gay uitgaansscene is gisteren, zondag 4 mei, gebroken. De inte]]></description>
<content:encoded><![CDATA[<p>Een van de weinige echte tradities in gay uitgaansscene is gisteren, zondag 4 mei, gebroken. De internationale act van <a href="http://www.studio54.eu" target="_blank">Studio 54</a> was <a href="http://www.eurosong.be/nieuws.php?id=12675" target="_blank">op voorhand in de pers bekend</a>. Normaal gezien is het steeds een verrassing wie er optreedt.</p>
<p><!--more-->Charlotte Perrelli-Nilsson ken je wellicht van <a href="http://www.youtube.com/watch?v=k6Lqc9fU2Ds" target="_blank">Take Me To Your Heaven</a> (ESF 1999). Gisteren kwam haar ESF 2008-inzending Hero promoten. In de Red &#38; Blue zong ze die song tweemaal voor de in het wit uitgedoste gilnichten. Om haar liedje er goed in te drillen.</p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/MINqZpRHB8c'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/MINqZpRHB8c&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></p>
<p>Dat haar aanwezigheid in de Red &#38; Blue op voorhand bekend is gemaakt is zeer uitzonderlijk. Enkel toen in 2002 <a href="http://www.gaybelgium.be/content/26269.shtml" target="_blank">Alcazar kwam optreden</a>, was dit op voorhand geweten.</p>
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<title><![CDATA[Segovia 2016. Video parte II]]></title>
<link>http://segovia2016.wordpress.com/?p=7</link>
<pubDate>Sun, 04 May 2008 03:18:20 +0000</pubDate>
<dc:creator>grupo b team</dc:creator>
<guid>http://segovia2016.wordpress.com/?p=7</guid>
<description><![CDATA[Segovia tierra de culturas ha querido significar a través de su frase, la implicación de una ciuda]]></description>
<content:encoded><![CDATA[<p>Segovia tierra de culturas ha querido significar a través de su frase, la implicación de una ciudad en el devenir de la historia teniendo como cabeza visible el reinado de los reyes católicos.</p>
<p>SIN <a href="http://www.segovia.es/">SEGOVIA</a>, NO <a href="http://www.segovia2016.es/">LUNA</a>.Sin <a href="http://www.segovia.es/">Segovia</a>, no <a href="http://es.wikipedia.org/wiki/Isabel_I_de_Castilla">Isabel</a>.Sin <a href="http://es.wikipedia.org/wiki/Isabel_I_de_Castilla">Isabel</a>,no <a href="http://es.wikipedia.org/wiki/Crist%C3%B3bal_Col%C3%B3n">Colón</a>.Sin <a href="http://es.wikipedia.org/wiki/Crist%C3%B3bal_Col%C3%B3n">Colón</a>, no <a href="http://es.wikipedia.org/wiki/Am%C3%A9rica">América</a>. Sin <a href="http://es.wikipedia.org/wiki/Am%C3%A9rica">América</a>, no <a href="http://www.segovia2016.es/">Luna</a></p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/94_Ksrr5REY'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/94_Ksrr5REY&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></p>
<p><a href="http://www.segovia2016.es/"></a></p>
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<title><![CDATA[Alcázar de los Reyes Cristianos]]></title>
<link>http://tourismedespagne.wordpress.com/?p=56</link>
<pubDate>Mon, 03 Mar 2008 18:58:25 +0000</pubDate>
<dc:creator>rozariondo</dc:creator>
<guid>http://tourismedespagne.wordpress.com/?p=56</guid>
<description><![CDATA[L&#8217;Alcázar de los Reyes Cristianos (espagnol : &#8220;&#8221;), connu aussi comme Alcázar de ]]></description>
<content:encoded><![CDATA[<p><a href="http://tourismedespagne.wordpress.com/files/2008/03/alcazar-de-los-reyes-cristianos.jpg" title="Alcázar de los Reyes Cristianos"><img src="http://tourismedespagne.wordpress.com/files/2008/03/alcazar-de-los-reyes-cristianos.thumbnail.jpg" align="left" alt="Alcázar de los Reyes Cristianos" /></a>L'Alcázar de los Reyes Cristianos (espagnol : ""), connu aussi comme Alcázar de Córdoba. C'est un chateau médiéval situé à Córdoba, Espagne. Il se trouve à côté du fleuve Guadalquivir et près de Mezquita. L'Alcázar prend son nom de Reyes Cristianos ou les monarques chrétiens : Isabella de Castile et Ferdinand II d'Aragon.</p>
<h3>Histoire</h3>
<p>À l'origine, sur le site, il y a eu une forteresse construit pas les Wisigoths. Quand les musulmans on conquérit la peninsule, les émirs du Califat ont reconstruit la structure.</p>
<p>En 1236, les forces chrétiennes ont pris Córdoba. En 1386, Alfonso XI de Castile a commencé à construire la présente structure sur la partie de la vieille forteresse.<br />
Alcázar a été impliqué dans la guerre civile où Henry IV de Castile a fait face à une rébellion qui a été soutenu son adolescent et demi-frère Alfonso. Pendant la guerre, les défenses de l'Alcázar ont été modernisées.. En même temps on a construit la tour principale de Alcázar, maintenant connue comme la "Tour d'Inquisition".</p>
<p>L'Alcázar a été utilisé par les troupes de Napoleon Bonaparte en 1810. En 1821, l'Alcázar est devenu une prison. Finalement, le gouvernement espagnol a fait l'Alcázar une attraction touristique et un monument national au cours des années 1950.</p>
<h4>Tourisme</h4>
<p>L'Alcázar est une attraction touristique importante. Beaucoup de touristes visitent les bains arabes, les jardins mauresques.</p>
<p>Une série de mosaïques romaines et un sarcophage romain sont exposés dans la Tour d'Inquisition.</p>
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<title><![CDATA[Les formes de la musique romantique ]]></title>
<link>http://restaurantlyrique.wordpress.com/2008/02/08/les-formes-de-la-musique-romantique/</link>
<pubDate>Fri, 08 Feb 2008 12:09:58 +0000</pubDate>
<dc:creator>Daphné de Guenièvre</dc:creator>
<guid>http://restaurantlyrique.wordpress.com/2008/02/08/les-formes-de-la-musique-romantique/</guid>
<description><![CDATA[ 



La Symphonie




L&#8217;orchestre symphonique
Portée au plus haut degré par Beethoven, la sy]]></description>
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<li><b>La Symphonie</b></li>
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<p><a href="http://fr.wikipedia.org/wiki/Image:Classical_spectacular07.jpg" class="image snap_shots" title="L'orchestre symphonique"><img src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/56/Classical_spectacular07.jpg/350px-Classical_spectacular07.jpg" alt="L'orchestre symphonique" class="thumbimage" border="0" height="233" width="350" /></a><br />
<a href="http://fr.wikipedia.org/wiki/Image:Classical_spectacular07.jpg" class="internal snap_shots" title="Agrandir"><img src="http://fr.wikipedia.org/skins-1.5/common/images/magnify-clip.png" height="11" width="15" /></a><br />
L'orchestre symphonique<br />
Portée au plus haut degré par Beethoven, la <a href="http://fr.wikipedia.org/wiki/Symphonie" class="snap_shots" title="Symphonie">symphonie</a> devient la forme la plus prestigieuse à laquelle se consacrent de nombreux compositeurs. Les plus conservateurs respectent le moule beethovénien : ainsi de Schubert, Mendelssohn-Bartholdy, de Schumann, de Brahms. D'autres font preuve d'une imagination qui leur fait dépasser ce cadre, dans la forme ou dans l'esprit : le plus audacieux d'entre eux est <a href="http://fr.wikipedia.org/wiki/Hector_Berlioz" class="snap_shots" title="Hector Berlioz">Berlioz</a>.</p>
<div align="justify"></div>
<p align="justify">Enfin, certains vont par delà raconter une histoire tout au long de leurs symphonies ; tels Liszt, ils vont créer le <a href="http://fr.wikipedia.org/wiki/Po%C3%A8me_symphonique" class="snap_shots" title="Poème symphonique">poème symphonique</a>, nouveau genre musical, généralement composé d’un unique mouvement et inspiré par un thème, un personnage ou un texte littéraire. Puisque le poème symphonique est articulé autour d’un <a href="http://fr.wikipedia.org/wiki/Leitmotiv" class="snap_shots" title="Leitmotiv">leitmotiv</a> (motif musical permettant d’identifier un personnage, le héros par exemple), il est à rapprocher de la musique à programme.</p>
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<ul>
<li><b>Le Lied</b></li>
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<p align="justify">Le pianoforte s'étant beaucoup développé au cours de la période romantique, ce genre musical est apparu. Le <a href="http://fr.wikipedia.org/wiki/Lied" class="snap_shots" title="Lied">lied</a> est une musique vocale accompagnée le plus souvent par un piano. Le chant est tiré de poèmes romantiques ; et ce style permet de rapprocher le plus possible la voix des sentiments. L'un des premiers compositeurs les plus célèbres des lieder, est <a href="http://fr.wikipedia.org/wiki/Schubert" class="snap_shots" title="Schubert">Schubert</a>, cependant beaucoup d'autres compositeurs romantiques se sont donnés au genre du lied ; on retiendra donc, après ce dernier, <a href="http://fr.wikipedia.org/wiki/Robert_Schumann" class="snap_shots" title="Robert Schumann">Schumann</a>, <a href="http://fr.wikipedia.org/wiki/Hugo_Wolf" class="snap_shots" title="Hugo Wolf">Wolf</a> et <a href="http://fr.wikipedia.org/wiki/Gustav_Mahler" class="snap_shots" title="Gustav Mahler">Mahler</a>.</p>
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<ul>
<li><b>Le concerto</b></li>
</ul>
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<p align="justify">C'est Beethoven qui inaugure le <a href="http://fr.wikipedia.org/wiki/Concerto" class="snap_shots" title="Concerto">Concerto</a> romantique, avec ses cinq concertos pour piano (surtout le cinquième) et son concerto pour violon. Son exemple est suivi par de nombreux compositeurs : le concerto rivalise avec la symphonie dans le répertoire des grandes formations orchestrales. Enfin, le concerto va permettre à des compositeurs musiciens de révéler leurs virtuosités, tels Paganini au violon, et Chopin ou Liszt au piano</p>
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<p align="justify">Grands concertos pour violon : <a href="http://fr.wikipedia.org/wiki/Paganini" class="snap_shots" title="Paganini">Paganini</a>, <a href="http://fr.wikipedia.org/wiki/Concerto_pour_violon_de_Beethoven" class="snap_shots" title="Concerto pour violon de Beethoven">Beethoven</a>, <a href="http://fr.wikipedia.org/wiki/Concerto_pour_violon_de_Tcha%C3%AFkovski" class="snap_shots" title="Concerto pour violon de Tchaïkovski">Tchaïkovski</a>, <a href="http://fr.wikipedia.org/wiki/Concerto_pour_violon_n%C2%B0_2_%28Mendelssohn%29" class="snap_shots" title="Concerto pour violon n° 2 (Mendelssohn)">Mendelssohn (n°2)</a>, <a href="http://fr.wikipedia.org/wiki/Jean_Sibelius" class="snap_shots" title="Jean Sibelius">Sibelius</a>...</p>
<div align="justify"></div>
<p align="justify">Grands concertos pour piano: <a href="http://fr.wikipedia.org/wiki/Johann_Nepomuk_Hummel#Les_concertos_pour_piano" class="snap_shots" title="Johann Nepomuk Hummel">Hummel</a> (en la et si mineur), <a href="http://fr.wikipedia.org/wiki/Theodor_Kullak" class="snap_shots" title="Theodor Kullak">Kullak</a>, <a href="http://fr.wikipedia.org/wiki/Henry_Litolff" class="snap_shots" title="Henry Litolff">Litolff</a> (3,4&#38;5), <a href="http://fr.wikipedia.org/wiki/Concerto_pour_piano_de_Schumann" class="snap_shots" title="Concerto pour piano de Schumann">Schumann</a> , <a href="http://fr.wikipedia.org/wiki/Concerto_pour_piano_n%C2%B0_1_de_Tcha%C3%AFkovski" class="snap_shots" title="Concerto pour piano n° 1 de Tchaïkovski">Tchaïkovski</a>, <a href="http://fr.wikipedia.org/wiki/Concerto_pour_piano_n%C2%B0_3_de_Rachmaninov" class="snap_shots" title="Concerto pour piano n° 3 de Rachmaninov">Rachmaninov (2&#38;3)</a>, <a href="http://fr.wikipedia.org/wiki/Concerto_pour_piano_n%C2%B0_1_de_Chopin" class="snap_shots" title="Concerto pour piano n° 1 de Chopin">Chopin (1&#38;2)</a>, <a href="http://fr.wikipedia.org/w/index.php?title=Concerto_pour_piano_de_Saint-Sa%C3%ABns&#38;action=edit" class="new" title="Concerto pour piano de Saint-Saëns">Saint-Saëns</a>, <a href="http://fr.wikipedia.org/wiki/Concerto_pour_piano_de_Grieg" class="snap_shots" title="Concerto pour piano de Grieg">Grieg</a>...</p>
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<ul>
<li><b>Le Ballet</b></li>
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<p align="justify">Le <a href="http://fr.wikipedia.org/wiki/Ballet_romantique" class="snap_shots" title="Ballet romantique">Ballet romantique</a> va beaucoup se développer tout au long du <span class="romain" title="Nombre écrit en chiffres romains">XIX</span><sup>e</sup> siècle, notamment par Tchaïkovski en Russie, et Delibes, en France</p>
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<title><![CDATA[Mozart : génie lyrique]]></title>
<link>http://restaurantlyrique.wordpress.com/?p=20</link>
<pubDate>Fri, 08 Feb 2008 11:56:08 +0000</pubDate>
<dc:creator>Daphné de Guenièvre</dc:creator>
<guid>http://restaurantlyrique.wordpress.com/?p=20</guid>
<description><![CDATA[Johannes Chrysostomus Wolfgang Theophilus Mozart, plus connu sous le nom de Wolfgang Amadeus Mozart ]]></description>
<content:encoded><![CDATA[<p><b>Johannes Chrysostomus Wolfgang Theophilus Mozart</b>, plus connu sous le nom de <b>Wolfgang Amadeus Mozart</b> (né à <a href="http://fr.wikipedia.org/wiki/Salzbourg" class="snap_shots" title="Salzbourg">Salzbourg</a>, <a href="http://fr.wikipedia.org/wiki/Principaut%C3%A9" class="snap_shots" title="Principauté">principauté</a> du <a href="http://fr.wikipedia.org/wiki/Saint_Empire_romain_germanique" class="snap_shots" title="Saint Empire romain germanique">Saint Empire romain germanique</a>, le <a href="http://fr.wikipedia.org/wiki/27_janvier" class="snap_shots" title="27 janvier">27 janvier</a> <a href="http://fr.wikipedia.org/wiki/1756" class="snap_shots" title="1756">1756</a> — mort à <a href="http://fr.wikipedia.org/wiki/Vienne_%28Autriche%29" class="snap_shots" title="Vienne (Autriche)">Vienne</a> le <a href="http://fr.wikipedia.org/wiki/5_d%C3%A9cembre" class="snap_shots" title="5 décembre">5 décembre</a> <a href="http://fr.wikipedia.org/wiki/1791" class="snap_shots" title="1791">1791</a>) est généralement considéré comme l’un des plus grands <a href="http://fr.wikipedia.org/wiki/Compositeur" class="snap_shots" title="Compositeur">compositeurs</a> de la <a href="http://fr.wikipedia.org/wiki/Musique_classique" class="snap_shots" title="Musique classique">musique classique</a> <a href="http://fr.wikipedia.org/wiki/Europe" class="snap_shots" title="Europe">européenne</a>. Bien que mort à trente-cinq ans, il laisse une œuvre importante (626 œuvres sont répertoriées dans le <a href="http://fr.wikipedia.org/wiki/Catalogue_K%C3%B6chel" class="snap_shots" title="Catalogue Köchel">Catalogue Köchel</a>) qui embrasse tous les genres musicaux de son époque. Selon le témoignage de ses contemporains c’était, au <a href="http://fr.wikipedia.org/wiki/Piano" class="snap_shots" title="Piano">piano</a> comme au <a href="http://fr.wikipedia.org/wiki/Violon" class="snap_shots" title="Violon">violon</a>, un virtuose.</p>
<p>On reconnaît généralement qu’il a porté à un point de perfection le <a href="http://fr.wikipedia.org/wiki/Concerto" class="snap_shots" title="Concerto">concerto</a>, la <a href="http://fr.wikipedia.org/wiki/Symphonie" class="snap_shots" title="Symphonie">symphonie</a>, et la <a href="http://fr.wikipedia.org/wiki/Structure_sonate" class="snap_shots" title="Structure sonate">sonate</a> qui deviennent après lui les principales formes de la musique classique et qu’il est un des plus grands maîtres de l’<a href="http://fr.wikipedia.org/wiki/Op%C3%A9ra_%28musique%29" class="snap_shots" title="Opéra (musique)">opéra</a>. Son succès ne s’est jamais démenti.</p>
<p><a href="http://upload.wikimedia.org/wikipedia/commons/1/1e/Wolfgang-amadeus-mozart_1.jpg"><img src="http://upload.wikimedia.org/wikipedia/commons/1/1e/Wolfgang-amadeus-mozart_1.jpg" alt="Wolfgang-amadeus-mozart 1.jpg" border="0" height="590" width="550" /></a></p>
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<td valign="top"><b>Naissance</b></td>
<td colspan="2" valign="top"><a href="http://fr.wikipedia.org/wiki/27_janvier" class="snap_shots" title="27 janvier">27 janvier</a> <a href="http://fr.wikipedia.org/wiki/1756" class="snap_shots" title="1756">1756</a><br />
<a href="http://fr.wikipedia.org/wiki/Salzbourg" class="snap_shots" title="Salzbourg">Salzbourg</a>, <a href="http://fr.wikipedia.org/wiki/Autriche" class="snap_shots" title="Autriche">Autriche</a></td>
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<td valign="top"><b>Décès</b></td>
<td colspan="2" valign="top"><a href="http://fr.wikipedia.org/wiki/5_d%C3%A9cembre" class="snap_shots" title="5 décembre">5 décembre</a> <a href="http://fr.wikipedia.org/wiki/1791" class="snap_shots" title="1791">1791</a><br />
<a href="http://fr.wikipedia.org/wiki/Vienne_%28Autriche%29" class="snap_shots" title="Vienne (Autriche)">Vienne</a>, <a href="http://fr.wikipedia.org/wiki/Autriche" class="snap_shots" title="Autriche">Autriche</a></td>
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<title><![CDATA[Véronique Chevallier au restaurant lyrique de l'Alcazar]]></title>
<link>http://restaurantlyrique.wordpress.com/?p=10</link>
<pubDate>Fri, 08 Feb 2008 11:18:18 +0000</pubDate>
<dc:creator>Daphné de Guenièvre</dc:creator>
<guid>http://restaurantlyrique.wordpress.com/?p=10</guid>
<description><![CDATA[Véronique Chevallier est l&#8217;instigatrice des lundis lyriques de l&#8217;Alcazar.
Véronique Ch]]></description>
<content:encoded><![CDATA[<div align="justify">Véronique Chevallier est l'instigatrice des <b>lundis lyriques de l'Alcazar</b>.</div>
<div align="justify">Véronique Chevallier est une jeune <b>soprano</b> prometteuse vivant à Paris. Sa formation, étayée par une expérience extensive du concert, la conduisent désormais à se consacrer à la <b>scène lyrique</b>.<br />
C’est à Genève, où elle est née, qu’elle débute sa formation musicale au Conservatoire Supérieur, parallèlement à des études de Lettres à l’université. Elle participe également à diverses masterclasses avec, par exemple, Mme Laura Sarti ou M Richard Miller. Elle poursuit son parcours aux Etats-Unis, au Peabody Conservatory, dont elle sort diplômée deux fois: Bachelor’s of Music et Graduate Performance Diploma. Ses professeurs sont alors M. Wayne Conner et Mme Phyllis Bryn-Julson. On a pu la découvrir sur scène dans le cadre du département d’opéra du Conservatoire, dans les rôles de Nora dans Riders to the Sea de Ralph Vaughan-Williams, Una Conversa dans Suor Angelica de Giacomo Puccini, ou de Drusilla dans L’Incoronazione di Poppea de Claudio Monteverdi. Elle chante également le rôle de Musetta au cours d’une lecture de la Bohème par l’orchestre de Peabody, sous la baguette de Gustav Meier.<br />
<img src="http://restaurantlyrique.wordpress.com/files/2008/02/veronique-chevallier.jpg" alt="veronique-chevallier.jpg" /></div>
<div align="justify"> Dès son retour en Europe, Véronique Chevallier se familiarise avec le répertoire baroque au sein des Arts Florissants, sous la direction de William Christie, et d’<b>Opera Fuoco</b> dirigé par David Stern. Mais elle explore également la <b>musique contemporaine</b>, notamment en participant régulièrement aux concerts du stage de composition de l ‘EAMA (European American Musical Alliance) ou en chantant avec l’ensemble Accentus.<br />
Elle se produit fréquemment en récital ou en <b>concerts à Paris</b> et en province. Ainsi on l’a récemment entendue dans le King Arthur de Purcell en juin, en récital à la salle Cortot en juillet, et elle sera Fiordiligi dans le Cosi Fan Tutte de Mozart, dans le cadre du festival Voix d’Automne au château de Fontainebleau en octobre, sous la direction d’Olivier Holt.<br />
Véronique Chevallier se perfectionne actuellement auprès du ténor Guy Flechter.</div>
<div align="justify"><a href="http://www.blogalcazar.fr" target="_blank">Pour en savoir plus </a></div>
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